~*~Behind Windshields~*~

At the end of the driveway, we waited.  

I was still chasing after my father —

a man who never wanted to carry that label,

who wore his defiance like a well-tailored suit.

He was my town, adorned with a

shimmering crown made from

razorblades and lies.

Their brake lights shone like nebulae

frozen in a night sky — long forgotten,

yet so desperate to remain seen.

She told me not to come,

banned me from his home.

I shrunk from her emerald gaze,

turning a mirror in place of

the other cheek for ten years.

Never a word from them —

No calls —

No cards —

No contact —

as it had been my entire life.

I could not approach my dying father,

but he would wave to me.

Wave to his only daughter,

the only one who defended him —

Out of love —

Out of fear —

Out of shame —

to hide that she was undeserving of love.

With tears dripping off my cheeks, I waved —

each of us behind windshields.

A final wave through distorted panes.

A silent goodbye to years of pain.

A silent hello to years more.

All it Takes is One

Mmm…this term… I haven’t cried this much over school since I took Applied Statistics. I already disliked my intermediate poetry workshop (PW2) teacher because I felt she was rude and dismissive. Now, I dislike her even more. She finally graded my four poetry submissions, and again, she was rude, mouthy, dismissive, and not at all helpful. She gave no helpful feedback and merely complained. I am very fond of my PW1 professor and revised my poems incorporating her feedback. I can take constructive criticism and I find it helpful and useful.


Poems tell a story; of course, there is a narrative.

These comments are not helpful or useful. My poem is “too long,” but as I just told Adam, Whitman’s Song of Myself is over 52 pages. A certain part is confusing to her (which I was rudely reprimanded for saying the same thing about two poems) and therefore not needed, and one poem is nothing more than a journal entry. She didn’t say anything at all about one poem. Oh, and she said I “should be” writing in free verse. Um, why? Last I checked, poets could write in whatever form they wished. Louisa May Alcott rhymed. Dr. Seuss rhymed. Whitman, Dickinson, Frost, Pound, Thomas…all wrote poems that rhymed. Every poem I submitted was free verse, btw.

So, I shall present to you my terrible poems. It’s unfortunate because I was actually proud of these.

~*~Little One~*~

His eyes were clear, his smile was bright,

but he called me Little One.

He spoke of the days of World War II,

vivid stories punctuated by his laughter,

yet he called me Little One.

My brother became his son — my father.

My father’s latest mistake became my mom —

Oh, how that woman must have seethed!

My grandmother stayed his wife,

or perhaps his combat nurse —

after 40 years together, it’s hard to tell.

Still, I was Little One.

On the surface, a sweet endearment —

a generic term to bypass recognition

and leave room for plausible deniability.

He drove ‘round the yard from

dawn ‘til dusk, clinging to the last

vestiges of independence with each

calculated turn of the wheel.

The last time ever I saw his face,

he was lying in a hospital bed,

poisoned blood coursing through his veins.

He looked so peaceful.

He looked so small.

And I realized — our roles had reversed.

He had become the little one.

He was never dismissing.

He was never forgetting.

I remained close to his heart.

I was one worth protecting.

With his life's tales told, his energy depleted,

his canvas was blankened once more —

the lines and years melting away

with each increasingly shallow breath.

In that moment, our worlds aligned,

for I was his Little One, and he was mine.


~*~Behind Windshields~*~

It was raining. It was dark.

At the end of the driveway, we waited.

Once more, I was chasing after my father —

a man who never wanted to carry that label,

who wore his defiance like a well-tailored suit.

He was my town —

adorned with a shimmering crown

made from razor blades and lies.

The brake lights shone like nebulae

frozen in a night sky — long forgotten,

yet so desperate to remain seen.

She told me not to come.

She banned me from his funeral.

I shrunk from her emerald gaze,

turning a mirror in place of

the other cheek for ten years.

Never a word from my father.

No calls —
No cards —
No contact —

as it had been my entire life.

He poisoned my thoughts and mind

like the cancer that invaded his body.

Still, his pride stayed intact,

denying peace and closure for

his child who was still a child,

emotionally stunted and seeking

love from one who refused to give it.

I could not approach my dying father,

but he would wave to me.

Wave to his only daughter —

the one who relentlessly made excuses

and defended him — out of love,

out of fear that others would realize

she was undeserving of love.

With tears dripping off my cheeks, I waved —

each of us behind windshields.

A final wave through distorted panes.

A silent goodbye to years of pain.

A silent hello to years more.


~*~Diminished~*~

I rush to tell you about my day; tripping over words as you look away.

There’s so much I want to tell you; things I think of or that

Happened while you live your life in unconsciousness or another dimension, pointedly unaware.

You crave my presence only to satisfy yourself and not much else.

Your refusal of help tells me I mean little to you.

You choose to exist and drag me down as well.

Living in a way I swore I never would,

Exhausting myself and receiving no help, only platitudes.

Your words are written with chalk on

A rainy day, they mean less

Than nothing — placeholders and placaters,

Until I give up.

I fade away

Every day

Diminished.


~*~O Jester! My Jester!~*~

O, Jester! My Jester! Your tortured life is done.

The world has given you laughter; the love you sought is won.

The curtains are drawn, you have moved on, your mourners left behind.

Your pain was too great, you foresaw your fate of living with a diseased mind.

But, O, heart! Heart! Heart!

O, the tears of devastation we shed,

Where on the stage my jester lies,

Fallen silent and dead.

O, Jester! My Jester! Rise up and hear the cheers,

Rise up — for you, in high esteem — for you, the audience appears,

For you, accolades and honors — for you, the one so beguiling,

For you, they call, the mirthsome masses, their eager faces smiling.

Here, Jester! Dear paragon!

This lap beneath your head!

It is some dream that on the stage,

You've fallen silent and dead.

My jester does not answer; his lips are blue and still.

My paragon does not feel my hand; he has no pulse nor will.

The screen has dimmed, the credits roll, the final cut is done.

From a troubled life ladened with strife, the pain he knew is gone.

Exult, O, world! And sing, O, songs!

But I with mournful stead,

Stand on the stage where my jester lies,

Fallen silent and dead.

~*~AuDHD~*~

I learned a while back that people in other English-speaking countries pronounce Adidas much differently than people in America (the States). Here, it is pronounced Uh-dee-duss, while in other countries it is pronounced Oddy-doss. I found that interesting. Most of the time, when I see or hear Adidas, the only thing I think of is All Day I Dream About Sex 😂. Iykyk. Anywho, I am here with another poem 🙂.

~*~AuDHD~*~

Divisible by 5
Is how it should be
The volume for my music
And the TV

It doesn’t stop there
I have to confess
The passage of time
Is part of this mess

At 1, it’s all good
And I feel alive
Then, utter chaos
‘Til it’s 1:05

2 units of insulin?
That won’t work for me
I’ll skip it altogether
Or add another 3

But that’s not all
That goes on in my brain
The mental gymnastics
Could drive one insane

My ADHD
Pops up to say “Hi!”
There are too many rules
And it wants to know why

Dinner needs washing
The laundry needs cooking
A treat for the puppy
When no one is looking

Now nothing is finished
And it’s time for bed
But I must get some work done
I’ll sleep when I’m dead

I’m still not happy with either of my instructors 😒. Poetry lady says I have “a lot of lyricists” on my reading list. Well, duh. I told her in the first week that I do not read much poetry. My last instructor was just fine with that. Lyrics are poetic; poetry can certainly be put to music if one so desires. Many, many folk songs were poems before songs were even born. But I held my tongue.

Then…I emailed my Shakespeare instructor to ask about thesis statements (she wasn’t happy with mine) and she replied that I need to address her by name in emails and to mind my tone 😡😡😤. Mind. My. Tone. I am autistic, I literally cannot “mind my tone.” What you see is what you get. I would understand if I was rude or pissy but I write how I speak and that is how it has always been. I honestly do not know how to be otherwise.

Forgiveable, perhaps, if I had not disclosed being AuDHD in my first post as I do with every class. I do not have an intentional tone and since Mom’s gone, I don’t have a filter because I would speak through her, and now I do not have that option, which would not be an option in school, really, unless I asked her to read stuff before I submitted it and she suggested changes. So, I sat there and cried for an hour or so and kept myself from replying, which was a very hard thing to do.

She also gave me a low grade on my discussion post because my answer was “vague.” I need specifics if you do not want me to be “vague” (according to you). My husband knows this, so if I am vague when I ask him something or answer a question, he lets me know or asks me questions so I can elaborate and/or explain myself. At the very least, she could have responded to my post so I had an opportunity to appease her. I am a straight-A student and a junior; I know that all my other instructors were not just handing out A’s willy-nilly and letting me coast. I am literal. I can seem obtuse or sarcastic when I am not being either of those things. I spoke to my advisor about it so at least he is aware. Work with me and I will work with you.

~*~Pervasive Thoughts~*~

Five poems this week! I had to write five poems for class this week alone 😫😫. I know, I know, it’s a poetry workshop class, but last workshop was two a week and certain forms each week. I don’t know how poets who write poems every day do it, honestly. I don’t know if it is because there is too much going on in my head or what, but I do much better with prompts or photos or contests. I find writing very cathartic, so I usually write about painful things so I can get them out, which is exhausting.

For class, I wrote about my father refusing to see me before he died and about my grandfather having dementia and referring to me as Little One because he couldn’t remember my name. Considering he died from sepsis, I’m assuming his dementia was caused by an untreated UTI. He had not been to the doctor in over 40 years, so it took them a while to figure out why he collapsed (he never woke up). Those two poems were very draining.

On top of the four poems for the milestone, we had to write another one for the discussion post, which is a forum mainly for attendance, participation, and accreditation. We had to choose a poem from our reading list and write a poem in their “voice,” which I found weird because I don’t even know what my voice is. I did it, nonetheless, and came up with the following:

~*~Pervasive Thoughts~*~

But don’t you see?

Once it’s in your head,

it becomes a part of you —

it wraps around your brainstem

and creeps into your DNA.

Walking the tightrope becomes

less daunting when it’s over

a perverse safety net of pills,

razor blades, and ropes.

The passivity of it all creates

a sense of mundanity that leads

you to believe everyone possesses

these thoughts and feelings —

until you realize you’re the outlier and

most would exist in the extremist

of conditions and call it surviving.

I don’t know how that will go over in such a censored society (from how it used to be — not that we are as censored as other countries), but the professor was cool with including Wanting to Die by Anne Sexton in my reading list, so I am guessing the subject matter will not be a problem.

I doubt my PW2 professor will get back on my good side since I really liked my PW1 professor and PW2 laughed and said that PW1 was very wrong. I am not cool with people talking 💩 about people I like and/or respect. So, possibly a long eight weeks.

Poetically Pissed Off

Well, I figured my intermediate workshop was going to be a challenge, but I did not know my opinions would be invalidated and my styles and voices questioned. Firstly, I had to stop centering my poetry (which is certainly a style – my preferred style at that). Then, I had to include punctuation, a formatting choice that I used sparingly, which incidentally I am being told to reverse in the new class. Now, I am not supposed to initial capitalize the first word of each new line. Who said I wanted to be a contemporary poet? Oh, and I can’t be inspired by “pop” poets like Rupi Kaur, who is the only contemporary poet I like.

Needless to say, my workshop professor and I are clashing. And I was admonished for stating the poems we read this week made no sense. If something does not make sense to me, I am going to make that clear. Just because some stuffy editors felt otherwise does not mean other people’s opinions should conform. The Emperor’s New Clothes, anybody? Suggesting I am not reading correctly and not that the poet wrote incoherently is insulting. Yellow Submarine is catchy; it is not a top-rate, meaningful song.

Raiding people’s private journals after they die and publishing them is certainly no way to set a precedent on what is the standard and now accepted. That has happened to at least two poets that I know of, Emily Dickinson being one. (She had only 10 poems published with her consent and her catalog is over 1,000.) It’s actually extremely violating and self-serving. I am here to learn, not conform or lie. This week’s reading list included the following:

coping skills lost in the flood
By CA Conrad

make you aching upwards of a
teenage broken phone
come to hear underwater
libraries up the side of
the dinner plate a
little too fast
not ungrateful like
some of  these bastards around here
can’t tap out a tune with you looking away
genies of not enough sleep
a happier location for
the war not the
easiest thing you realize
beautiful architecture
refreshing beverages
our signs read hello love us for
the century of
progress we
gave you
bombers
arriving
early here
they are

From “Listen to the Golden Boomerang Return”

a potato
born by
shovel
I am a
bride of
poetry in
my orange
and purple
gown an
unequaled
extinction
machine
pushing
strollers through
ecosystems of
concrete and plastic
we camel through the journey
with our new playbook for
where plunging hands go
don’t be weird
about this
you can be a
bride of
poetry
too

As you can see, neither poem above is left-aligned, another “rule” we were given for this week’s work.

Third Poem for the Catastrophe
By Joyelle McSweeney

O
melting rainbow that embrace this roof
O
persistent covenant
hangs around
giving us nothing, leaves its muck in the water
expects us to be knocked out by its fine colors
weren’t you nothing too, weren’t you
sea bottom
crunched down into fuel
and when that eggshell roof busts through
mama’s gonna buy you
a rainbow ride for free
an illumination, an inflammation
hyperion flame headdress
dream pins in the fuel
balloons of Koolaid burst down to cool
the sticky baby’s head
plus a credit card a glock a new bible
a princess dress
a mermaid princess dress
so you’ll be twice submerged
or an erased Indian princess
pajama set now go to sleep

Bureau of

This is the body of,
waiting to turn on.

graced with a little tremor,
a little-known form, a fibrous hook,
a flimsy lever that makes the jar work

a lever and a clasp

:voila. The pathetic filofax
unfurls, the owl describes;
on air; makes an apse; lopes left

off the phonepole, woodenly.
we rise above the wind park,
commemorially.

our whorled fossil, pinned open.
our emergency kit
holds aspirin. digitalis. adrenalin-in-in.

So, yeah, I said they seemed drug-induced and made no sense. For one thing, the last poem starts a line with a colon 😒😒. Poetry is mainly for the poet, and I am all for that expression and them writing whatever they want, but I am certainly not required to like it or be encouraged to emulate it and “learn” from it. If I can say a movie makes no sense (and in a lot of instances, I am not the only one who feels that way), I can say a poem makes no sense, because, let’s face it; a lot of them do not. If they make sense to the one writing it, that is fine; great, even. Good for them. But do not belittle me or my intelligence and opinion solely because it does not align with yours. If this is “contemporary,” I will wholeheartedly pass.

Featured image: https://poemanalysis.com/poetry-explained/elements-of-poetry/